Poetry by Chetachi Igbokwe

All the Battles You Fought Were Not Yours

All the battles

you fought were not yours.

For others’ delight,

you’ve been masked,

but no one

says these to you

or remember your works

or call you by your name.

You have smiled

against the tides.

And I have lived my life

imagining if the world

will stand a halt when you are gone.

And here you are,

far from our sight and hands

and stories unknown to me

springing up

from persons who can barely spell your name.

My ears are filled;

the things I hear choke me.

The man you once clothed says

you are married

to a certain marine queen.

A car once horned, he says,

and he rushes to the gate,

but sees no one.

He returns to tell you

but you order for the gates

to be open for the queen of the coast

who only you could see.

The queen walks down to you,

her footsteps loud

but she is not seen.

You speak to her,

she speaks to you,

and the sound of her feet

can be heard climbing the stairs,

you follow her from the back,

down to you room,

where she strips you

and make you moan.

The woman whose thirst

you once quenched

speaks of bones

and skulls littered

at your backyard.

She’s fortunate, she says,

to have survived you;

lucky that the water you gave her

did not choke her.

She didn’t speak

of the nights she growled at your feet,

or the days she says your face brings her fortune.

Your brothers’ widows say

you ate their lovers to straighten your days.

You owe them explanations, they say,

on what became their lovers’ bodies.

The people whose disputes

you settled said,

“We never called for your care;

why haven’t you sorted

the troubles that loom in your home?

Why you do not eat the meal your wife makes?

Why you are obsessed with yourself,

that you hung a big statue of yourself

in your country home?”

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Funeral Cows

Papa’s laughter

begins in bits;

sometimes, as a wry smile

forming behind his jaw

or a short cough emerging

into a long

and louder one.

Other times,

it would seem

there is something

holding his neck,

trying to choke him;

usually in the middle

of a conversation,

or a meal,

or when he wants to slaughter

a funeral cow.

Mama once said

that Papa could laugh

at a joke

told ten years past—

that the jokes

are cracked by the

funeral cows he slaughters.

 
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Chetachi Igbokwe studies English and Literature at the University of Nigeria, Nsukka. His first screenplay, Island of Happiness, directed and produced by Onyeka Nwelue, was described by the Nobel Prize Laureate, Wole Soyinka, as a “magnificent work of art.” He is a 2019 alumnus
of the Purple Hibiscus Writing Workshop facilitated by Chimamanda Ngozi Adichie, and the Editor of the University of Nigeria’s students’ journal, The Muse, Number 48; a journal of creative writing founded by Chinua Achebe in 1963. He is the Drama Editor of the Afreecan
Read Literary Magazine. He is represented by World Arts Agency.

Instagram: @chetaigbokwe
Twitter: @cheta_igbokwe

Abby Michelini