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Art is a fundamental aspect of being human–of being alive. It is not exclusive to any group of people, to any place, to any privilege. Expression is a language we all share. With this year’s special issue, we want to highlight the spectrum of creation from Black artists exclusively. To be a platform for Black voices, unfiltered and unrestrained by parameters of theme. This is not a call to confess your struggles, or your fight, or to defend your identity.

This is a call for the art that sits within you. For the ink that bleeds your pages.

— ORP 2020 Interns

 
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The poetry collected here is an incredible demonstration of the numerous facets of Black identity. Each piece provides a look into these very distinct lives, many of them living in different places and points in time, and the themes of each still feel ever-prevalent in the world we continue to live in. They are not merely smaller pieces that make up this one composite issue, but rather art about personal life that contributes to ongoing global conversations regarding justice, humanity, and the nuances of our relationships with each other.

Izumi Kuroda
Poetry Intern

 

 
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Opening a space exclusively to Black writers has always been a dream of mine, so my gratitude for our contributors to this Special issue is bottomless. I’m grateful to every Black creative who puts the gorgeously multi-faceted pieces of themselves out into a world (that is historically unkind to Black folks), in hopes to touch those pieces in others. I am doubly grateful to the ones that trusted us with their words. This essay in particular speaks to all of my quietest but most undeniable parts, and I’m simply honored to get to feature it in this issue.

Yamilette Vizcaíno Rivera
Creative Nonfiction Intern

 
 
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In this year’s special issue, it was our sincerest delight to give a platform solely towards Black writers. 2020 has been a turbulent year, and a grand eye has been turned upon the injustices against the Black community. But a group of people should never be defined by their hardships alone. Our special issue has strived to provide a platform where the personal does not have to be political, where artists freely choose from where their art takes root. I invite you now to sit, read, reflect, and read again. Be an audience. Listen to the life that bleeds from each line, and revel in the grand humanity captured in this issue. 

Meggyn Keeley
Emerging Writers Fiction Intern

In a year of constant grief, this issue stands to offer some relief, as the magic of storytelling often does. What a gift it is to have the words and stories of Black writers be the final markings of a year that had so devastatingly tried to push Black voices aside. It has been a privilege to gather these writers together, through the power of storytelling and community, and to read the unfiltered work that provides a glimpse into various ways of life. Let these stories engage you in thought and provoke varying emotions, from upset to wonder. And, of course, let’s celebrate a community, whose voices will never cease to be heard; whose stories will never cease to be told.

Arlene Opio
Fiction Intern