Jennafer D'Alvia

 
 
 
 
 
 
 
 
 
 
 
 
 

ORP: Do you know more than one language? How does this influence your art and/or writing?

Jennafer D'Alvia: I find learning languages fascinating. I've studied French, Italian and Arabic. Some of these languages show up in my thoughts when I'm writing and Arabic plays a major role in the novel I'm working on now.

ORP: What does vulnerability mean to you as an artist and/or writer?

JD: For me it's essential that there's an emotional vulnerability in the characters in both the fiction that I love to read and also in my own work. It's always interesting to see the different ways that writers bring out emotional resonance in their work.

ORP: What would you say is your most interesting writing and/or artistic quirk? Do you have any habits that you believe help or hinder your creativity?

JD: For my novel, I do something that may be a quirky thing. I made a chart that I use to keep track of the chapters and characters. I'm very often erasing and rewriting the chart as I add new sections or move things around. This visual map is an important part of my process, and I now have a high quality eraser that doesn't smudge which helps a lot!


ORP: What books have you read many times? 

JD: I love Italo Calvino's Cosmicomics and I've read those stories many times. I also love Lorrie Moore and Richard Wright.

ORP: What is the most valuable piece of advice you’ve been given about writing or creating? What advice would you give to another writer or artist?

JD: I was recently given wonderful advice which was that sometimes a writer may not understand why she's put a particular scene into a story, but instead of cutting the scene, it's the writer's job to try to figure out why it's there, and with patience, the reason for the scene may become clear.

 
 

Jennafer D’Alvia is a Pushcart Prize nominated fiction writer whose stories have appeared in The Missouri Review, Chautauqua, The Harvard Advocate, and other journals. Her fiction has been nominated for an AWP Intro Journals Project and she’s currently the Truman Capote Scholar at The University of Montana’s MFA program where she’s working on a novel.

Read Jennafer’s story “The Gorgoneion” FROM ISSUE 7.1 HERE.

Brigid Higgins