Bleah Patterson

 
 
 
 
 
 
 
 
 
 
 
 
 

ORP: What inspired you to begin writing or creating? Has that source of inspiration changed throughout your life?

Bleah Patterson: I've always written, and for a long time I pursued journalism because I thought that was the only real outlet. Then, by my mid-twenties, I'd been through so much that creative writing, specifically poetry, felt like the only true way to express myself. That's driven me ever since.

ORP: Do you write or create with an audience in mind? If so, how do you consider the relationship between that audience and your work throughout your creative process?

BP: I think I write to a younger version of myself, or to my friends, or to women in general. I think a lot about the feminine sensibilities (girlhood, being feminine, queer girlhood, etc.) that have been silenced because they don't appeal to the male gaze (think, I dress for girls not men memes). I also write a lot about how women communicate through pop culture and music.

ORP: Who do you consider to be your creative ancestors and contemporaries for your art and/or writing? How does your creative work converse with theirs? 

BP: Olivia Gatwood for sure, Sylvia Plath to go back further. Sappho really speaks to me if we're talking the origins of female poetry.

ORP: What does vulnerability mean to you as an artist and/or writer?

BP: I think it means being willing to subvert or undermine yourself, or, how you're expected to present on the page. I think I try to be transgressive, write about my inner thoughts even if they're not pretty or put together. All of this feels deeply vulnerable.

 
 

Bleah (blay-uh) Patterson is a queer, southern poet born and raised in Texas. Much of her work explores the contention between identity and home and has been featured or is forthcoming in various journals including Electric Literature, SWWIM, Write or Die, Phoebe Literature, and Taco Bell Quarterly.

Read Bleah’s Poem “I don’t know if I’ve ever been in love or if I just love the beginning and end of something” FROM ISSUE 7.1 HERE.

Brigid Higgins