John Miller

Oyster River Pages: Why do you write and/or create?

John Miller: A word or a phrase or even set of sounds gets stuck in my head. I have to write a poem around it to get that part of my mind back.


ORP: What is the most challenging aspect of your artistic process?

JM: Letting go of a piece before I overwork it. I have a tendency to revise, revise, and then over-revise. Mary Ruefle says every great poem (not that I've written any!) has a problem with it. I'm still learning that flaws can be features.


ORP: What would you say is your most interesting writing and/or artistic quirk?

JM: I'm a drummer. Though I don't write formal verse, I'm still listening for musicality. In fact, I don't consider a poem finished until I listen to a recording of it and am satisfied with how it sounds.

ORP: Do you know more than one language? How does this influence your art and/or writing?

JM: Does Alabam-ese count? I have studied French for years. I practice with an app on my phone—and by talking to myself in French. Sometimes when I get stuck during revising, I'll think through how a phrase would be rendered in French. Sometimes it even changes the poem.

 
 

Hailing from Eugene Walter's Kingdom of Ghosts and Monkeys, John Miller was sent so frequently to look up words as a kid he toted a dictionary to supper. His poems have appeared or are forthcoming in: Poetry South, Sheila Na-gig, Comstock Review, and elsewhere.

READ John’s poems “Tidewater Hedge-Witch” and “What I knew” FROM ISSUE 6.1 HERE.

Eneida Alcalde